Personnel: Ronnie Earl (guitar) Jimmy McGriff (Hammoond B-3 organ) Anthony Geraci (keyboards) Michael "Mudcat" Ward (bass) Don Williams (drums, percussion) Mark Greenberg (drums, percussion) Recorded at Blue Jay Studios, Carlisle, Massachusetts between July 23 & August 2, 1999. Includes liner notes by Frank John-Hadley. Not unlike such disparate artists as John Coltrane, John Lennon, or Al Green, Ronnie Earl preaches music's underlying power to cure an ailing soul, and mend a broken heart. O...
Personnel: Ronnie Earl (guitar) Jimmy McGriff (Hammoond B-3 organ) Anthony Geraci (keyboards) Michael "Mudcat" Ward (bass) Don Williams (drums, percussion) Mark Greenberg (drums, percussion) Recorded at Blue Jay Studios, Carlisle, Massachusetts between July 23 & August 2, 1999. Includes liner notes by Frank John-Hadley. Not unlike such disparate artists as John Coltrane, John Lennon, or Al Green, Ronnie Earl preaches music's underlying power to cure an ailing soul, and mend a broken heart. On HEALING TIME Earl sets out to encourage us to, as he says, "feel the music, not just be awed by the technique," and the 11 songs included here lead listeners in this direction. "Churchin'," is an electrifying blues shuffle, while the tunes that follow take us on a musical journey through slow 12/8 blues ("Blues for Shawn") to a cheerful quasi-Latin feel ("Thembi"). Earl's lyrical, always bluesy, improvisations are strongly featured throughout. Organ legend Jimmy McGriff is also heard in superb form on many of the selections including "Blues on a Sunday" and "Catfish Blues." The album closes with a stately version of the traditional song, "Amazing Grace." On this African-American spiritual, Ronnie Earl leaves us with a sense of hope and optimism. HEALING TIME is an emotionally charged album that delivers a unique and potent balm for the soul. Amazon.com On Healing Time, the line Ronnie Earl blurs between jazz and blues gets even blurrier than on his 1997 record, The Colour Of Love. An all-instrumental record of deep passion and virtuosity, Time features song structures that are loose and laden with thoughtful riffs and solid work from Earl and his players, recalling Carlos Santana's fiery licks and the jazz guitar textures of Wes Montgomery. Their attention to each song's changes and transitions makes for vivid textures and wide-ranging moods, while varying the instrumental focal points of each allows the musicians to reveal the songs' emotional cores. Jumping out of the gate with "Churchin'," the record is given a gospel tinge by Jimmy McGriff's Hammond B-3 that pops up again later on "Blues on a Sunday." Throughout, on songs like "Thembi," with its piano-based breeziness, and "Idle Moments," with Earl's mournful guitar work, it's clear that Earl and his band have worked hard to provide these songs with whatever touch of instrumentation or genre-bending they might need to sound complete. By letting his insightful musicality guide him, and allowing each song to blossom with individuality, Earl creates an endlessly fascinating record that fairly brims with the light of inspiration. [Matthew Cooke] Guitarist Ronnie Earl continues his string of all instrumental albums with this stunning follow-up to 1997's critically acclaimed The Colour of Love. With sturdy yet subtle assistance from Anthony Geraci on keyboards, Mark Greenberg or Don Williams on drums, Michael "Mudcat" Ward on bass, and, for two tracks, special guest Jimmy McGriff handling the Hammond B-3 in his inimitable fashion, Earl peels off sweet and spicy jazz-blues-gospel licks with the touch of a musician whose heart and soul is intimately infused in his music. Earl's love of Muddy Waters shines on a sizzling cover of "Catfish Blues" where his guitar alternately screams and moans through the stop-start rhythm of the song as if it's singing the lyrics. But this is primarily a jazz album with a heavy blues influence, and Earl's Kenny Burrell and Grant Green roots are pervasive throughout. His tensile tone ranges from tender and sensitive to biting and majestic, with touches of Carlos Santana's unique phrasing thrown in. Whether digging deep into the achingly soulful slow groove of "Blues for Shawn" or closing out the album with a rapturous "Amazing Grace," Ronnie Earl proves himself to be a master of moods. Healing Time effectively moves him into the realm of the guitar greats he idolizes. ~ Hal Horowitz, All Music Guide Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
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