Roberto Alagna (born 7 June 1963) is a French operatic tenor of Sicilian (Italian) descent. He was born in Clichy-sous-Bois, Seine-Saint-Denis, France. Alagna was born outside of the city of Paris in 1963 to a family of Sicilian (Italian) immigrants . As a teenager, the young Alagna began busking and singing pop in Parisian cabarets for tips. Influenced primarily by the films of Mario Lanza, but also from recordings of many historic tenors, he then switched to opera, but remained largely self-...
Roberto Alagna (born 7 June 1963) is a French operatic tenor of Sicilian (Italian) descent. He was born in Clichy-sous-Bois, Seine-Saint-Denis, France.
Alagna was born outside of the city of Paris in 1963 to a family of Sicilian (Italian) immigrants . As a teenager, the young Alagna began busking and singing pop in Parisian cabarets for tips. Influenced primarily by the films of Mario Lanza, but also from recordings of many historic tenors, he then switched to opera, but remained largely self-taught.
After winning the Luciano Pavarotti Voice Competition, Alagna made his professional debut in 1988 as Alfredo Germont in La Traviata with the Glyndebourne touring company. This led to many engagements throughout the smaller cities in France and Italy, mainly again as Alfredo, a role he would eventually sing over 150 times. His reputation grew and he was soon invited to sing at major theaters such as La Scala in 1990, Covent Garden in 1992 and the Metropolitan Opera as Rodolfo in 1996. His performances of Roméo in Roméo et Juliette by Charles Gounod at Covent Garden in 1994 (opposite Leontina Vaduva) catapulted him to international stardom.
Alagna opened the 2006/07 season at La Scala on 7 December 2006 in the new production of Aïda by Franco Zeffirelli. During the second performance on 10 December, Alagna, whose opening performance was considered ill-at-ease, was booed and whistled from the loggione (the least expensive seats at the very back of La Scala), and he walked off the stage. The tenor's reaction to his public criticism was denounced as immature and unprofessional by La Scala management and Zeffirelli, who said, “A professional should never behave in this way. Alagna is too sensitive, it is too easy to hurt his feelings. He does not know how to act like a true star.” The role of Radames was taken over successfully for the rest of the performance by his understudy Antonello Palombi, who entered on stage wearing jeans and a black shirt. In 2007 while at the Metropolitan Opera singing the role of Pinkerton in Madame Butterfly, Alagna replaced the indisposed Rolando Villazon as Romeo in Roméo et Juliette opposite Anna Netrebko for two performances in September and two performances in December. His wife had flown to New York to be with him for the September engagements, and as a result was fired from the Lyric Opera of Chicago for missing her rehearsal dates for La Bohème. Alagna was also engaged by the Metropolitan Opera at the last minute to cover for the indisposed Marco Berti in a 16 October 2007 performance of Aida. After the performance, the audience gave him a standing ovation. The December 15 performance of Roméo et Juliette starring Alagna and Netrebko was broadcast by the Met into 447 theaters worldwide in high definition and seen by about 97,000 people. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
