The Old Silo invites you into a world of new beginnings, old regrets, might-have-beens, burning questions, beautiful women, horny geezers and gold diggers. Produced by Joel Plaskett and recorded in Dartmouth, Nova Scotia, James Hill's latest album cuts a deep, winding path through Folk, Roots Rock and Americana. Hill has made a career as an award-winning ukulele player and songwriter, an uncompromising artist who “gives the ukulele its dignity back without ever taking himself too seriously” (So...
The Old Silo invites you into a world of new beginnings, old regrets, might-have-beens, burning questions, beautiful women, horny geezers and gold diggers. Produced by Joel Plaskett and recorded in Dartmouth, Nova Scotia, James Hill's latest album cuts a deep, winding path through Folk, Roots Rock and Americana.
Hill has made a career as an award-winning ukulele player and songwriter, an uncompromising artist who “gives the ukulele its dignity back without ever taking himself too seriously” (Songlines). The Old Silo sees him charting a course into deeper, rockier waters with Plaskett at the helm. The album has an edginess and swagger unlike anything Hill has ever recorded: the thundering baritone ukulele riff in She's Still Got It wouldn't be out of place on a Black Keys album and the grinding slide ukulele in Tie One On would make Jack White proud.
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